iconophages:

La société du spectacle - Guy Debord

iconophages:

Pierre Joseph - Oogie l’ectoplasme, 1995

bad-postcards:

ULTRA-MODERN MIAMI ARCHITECTURE

MIAMI, FLORIDA

One of Miami’s unusual architectural achievements in office buildings.

The Perry Nichols Building

(via highgatedreams)

fronmiller:

Vivre sa vie, booklet spread, The Criterion Collection

(via laukitsch)

vulturehooligan:

Dziga Vertov, Man with a Movie Camera, 1929

(Source: abridurif, via salvadordalisgirlfriend)

shrbr:

Moon model, 1898. by Theremina on Flickr.

(Source: sadillite)

Auguste Rodin (1840-1917)

“Young Girl embraced by a marble Ghost”

Using a pencil to retouch the photo taken by Eugène Druet of the marble Young Girl embraced by a Marble Ghost, Rodin once again happily reinterpreted his own works, as he had done with his paper assemblages or in the reworked versions of his earlier drawings. Here, he placed the marble group upright, instead of leaving it in its usual horizontal position, and stood each of the two figures, from the hips down, on a moulded pedestal, thus transforming the ghost and the young woman into caryatids.

(Collection Musée Rodin)

(via les-sources-du-nil)

jennilee:

Greece In Color (1956)
R. G. Hoegler, Karl Kerenyi

(via fuks)

artemisdreaming:

 Georges Seurat (1859-1891) (queue)
 Study for A Sunday on La Grande Jatte
 (known as The White Child), 1884
 Conté crayon - 30.5 x 23.5 cm
 New York, Solomon R. Guggenheim Museum

(via mapetitemelancolie)

bloomplague:

Nam June Paik.

photograph by Marta Thisner

(Source: melvinandco, via ne-te-promene-donc-pas-toute-nue)

Helio Oiticica

(Source: efedra, via rhapsodical)